Interviews

An Interview with Christina Lauren

Contrary to popular belief, the author of Autoboyography, Love and Other Words, The Soulmate Equation, and many others, is not one person, but two! Christina Hobbs and Lauren Billings met while writing fanfiction in 2009. They admired each other's work, and their initial desire to collaborate morphed into seventeen New York Times bestsellers for adults and young adults. Prior to becoming writers, Christina Hobbs was a junior high counselor and Lauren Billings was a neuroscientist! Be sure to check out their new book, Something Wilder, released in May 2022.

1. The Unhoneymooners has become incredibly popular on platforms like TikTok. What has that experience been like for you as the author? Are you surprised by the breadth of community it has reached?

The Unhoneymooners hit the New York Times list the week it was released in 2019 and had strong sales ever since, but the TikTok boost has been really fun to witness. Of course, we love when new readers find it-it's such a fun and funny book, and we think that's something that people really need right now! The whole thing has been a joy for us to watch happen.

2. What is it like writing as a pair? How do you ensure that the tone remains consistent? What happens if you disagree on plot direction?

We started our writing careers together so for us, the process is natural and normal. We always outline in person, draft alternating chapters, build the book as we go and then spend a lot of time in revisions so that the tone and voice(s) of the characters feel consistent throughout. The key thing to remember regarding disagreement is we need to trust that the other has the best interest of the project in mind, and that feedback-especially critical feedback-is never personal. Also, we've learned how the other likes to receive feedback and so we know how to do it without bruising feelings. At the end of the day, though, it's rarely ever a problem. We don't often disagree about the direction a book should go in, we talk everything out as we draft, and if we had different opinions about something, it's solved easily through discussion. It helps that our personalities are complementary and the things that Lauren is intense about, Christina is pretty laid back about, and vice versa. We trust and respect each other deeply.

3. How do you select the names of your characters?

We have a note with names that we add to whenever we hear one we like or think of one we'd like to use for an upcoming character. Sometimes we'll use the name of someone we meet at a signing, or someone we know, or just a name we hear in the news or on a program that we like. But we want to make sure they always fit the characters' personalities.

4. Did you edit anything major out of The Unhoneymooners?

The boat bathroom scene had been a lot longer and sillier in the original version. We also had a one or two other couples' outings in Maui that we took out because they weren't necessary or slowed down the pacing, but for the most part, the book you've read is very similar to the original.

5. What was the hardest scene to write in The Unhoneymooners?

Drafting the conflict was hard because it's always a bummer to write your beloved characters going through conflict once they're fallen for each other. But we had set up the circumstances with Dane and Ami in a way that made the actual writing of that section pretty straightforward. Also, because Olive's family is so big, sometimes it was logistically tricky to keep track of everyone in a conversation or scene.

6. How do you come up with the ideas for your novels? Do they come to you fully fledged, or does a single element come to you first?

It's usually a trope or fun pitch (such as with Roomies, the marriage-of-convenience on Broadway), a plot (such as with The Soulmate Equation and the DNA dating technology that matches two people as soulmates but they don't like each other), or character-based (such as with Love and Other Words with Macy and Elliot being childhood best friends who were separated due to circumstances). The Unhoneymooners we came up with when we were together in Maui and thinking how funny it would be to be on a dream vacation with someone you hate.

7. As an author who writes in first and third person, how do you separate yourself from your main characters?

We talk a lot before we start drafting about who these characters are, what are their blind spots, their eccentricities, the things that their friends would say about them to describe them. We want to write people who feel unique and dimensional! But no matter how much we try to flesh them out at the beginning, we find that we get to know them so much better as we actually write them in their own voices. By the time we finish drafting the book, we know them inside and out, so then we go back and rewrite a lot of the beginning to capture what we've learned about these new characters in the process of writing them.

8. Is Ethan based on a real person?

He isn't! He's an amalgamation of many smart, funny, sarcastic, superstitious, loving, honest, and hot people we've known in our lives, haha!

An Interview with Jenna Evans Welch

Jenna Evans Welch is the author of the New York Times best selling series, Love and Other Detours. Welch has always loved to read young adult books, and was inspired to start writing after being disappointed in the YA selection at her own local library. The first book in the series, Love and Gelato, follows Lina, who is forced to move to Italy after the death of her mother.

What was the first book that ever made you cry?

A book my dad wrote, called The Christmas Box :)

What were the books that influenced you as a teenager?

I read EVERYTHING as a child, but was so disappointed by what existed for teens then (the YA world was only getting started). Books I absolutely loved were The Secret Garden, Harriet the Spy, Gone With the Wind, and The Grapes of Wrath. My favorite book is called A Yellow Raft in Blue Water.

What was the first story you ever wrote?

How old were you? It was a short story about a girl who finds a key that takes her to a magic world. I was 7 :)

Do you ever have trouble being motivated to write? Do you stick to a schedule, or write when you are inspired?

All the time! I RARELY want to sit down and write, so having a deadline and schedule of when I want a draft finished by is very important to me.

How do you select the names of your characters?

I spend a lot of time on this, the main character usually goes through a few names before I find the right one (I like perusing baby naming sites). For secondary characters I tend to look up what names were popular the year they were born.

Did you edit anything major out of Love and Gelato?

Yes! A fist fight between Ren and the photographer they visit (trying not to spoil anything here...)

What was the hardest scene to write in Love and Gelato?

The diary entries, it took me a long time to find the right voice!

What does a typical day in this pandemic world look like to you?

Family time, write frantically for a few hours, then more family time. Lots of squeezing in writing time.

While writing Love and Gelato, did you already know that Addie would be starring in the subsequent books?

I did when I got to my final edits. Addie was so fun and easy to write, I knew I wanted to write a story about her.


An Interview with Sarah Morgenthaler

Sarah Morgenthaler's first book, The Tourist Attraction, was published earlier this year. It was quickly followed by its companion novel, Mistletoe and Mr. Wright, with a third book coming in early 2021. Together, these books make up the Moose Springs Alaska series, romantic books set in a quaint Alaskan town. When Morgenthaler isn't writing, she enjoys hiking, traveling, and spending time with her pitbull!

You are a geologist and lover of science. How did you go from geology to writing?

Hi Juniper! Thanks for having me! I was naturally drawn to the sciences when in school, but I've always loved reading and writing. For a long time, I just wrote for fun every day. Four years ago, I decided to try to get published (a lifelong dream of mine).

The next two books in the series, Mistletoe and Mr. Right and Enjoy The View come out in October and January respectively. Luckily for us, this is a very quick turn around!! How long does it take you to write and edit a single book?

It definitely feels quick! I usually take about three to four months to write my first draft, and then I have several rounds of edits with my publisher over another couple months. It's about a year-long process, and usually I'll be drafting one book while working on edits for another.

The beautiful covers of your books are designed by Kristen Solecki. How involved were you in the artwork? Did you have an idea of wanted the cover to look like ahead of time?

Kristen is amazing! I adore my covers! I wasn't involved very much in the design, but I did say that it would be fun to have Jake the dog on the cover, and I really wanted a moose somewhere too. With Enjoy the View, I asked for a coiled rope to be added to Easton's hip and for a minor change to his hair. Small things like that. The genius is all Kristen and the Sourcebooks design team!

The Tourist Attraction's sequel, Mistletoe and Mr. Right, follows Zoey's friend Lana. Did you know Lana would have her own story while writing The Tourist Attraction, or did that come to you later?

Actually, I had planned on writing a different story than Lana's book. But when I started working on a Lana/Rick Christmas short story, the publisher liked the idea. We ended up making book two a full Christmas story! I'm so glad, because Mistletoe was a ton of fun to write!

How similar would you say you are to Zoey?

I'm absolutely in love with Alaska the way Zoey is, and we both tend to get shy in crowds of people. I love the outdoors and reading, like she does. I also love dogs and I care a lot about wildlife, so we're similar in those aspects. But I was a terrible waitress and she's great at it, so she's got me there!

What was the first story you ever wrote? How old were you?

Technically, I wrote my first book in first grade. It was about barnyard animals riding a bus...lol. But I really started regularly writing fiction in high school. I also wrote and read a ton of fanfiction in college. Fanfiction was my first true writing "love".

Do you ever have trouble being motivated to write? Do you stick to a schedule, or write when you are inspired?

Writing during a pandemic is definitely tough! I've been lucky because I was working on edits for most of 2020, with very little drafting. I'm starting a new project now, and it helps to write first thing in the morning right after I wake up or for a short sprint during the late afternoon. Those two times of the day are when I get the most words in the quickest. If I was struggling with a scene when writing Mistletoe and Mr. Right, I would go to a nearby park with a river running through it. Listening to the water was a great inspiration.

How do you select the names of your characters?

Usually, I google popular names for that year, so that the names of the characters are current. The fun thing is that when I pick a name, that name actually creates the personality of the character, instead of the other way around. I also try not to use names of people I know, so that I'm not going into the story influenced by association.

Did you edit anything major out of The Tourist Attraction?

Graham was initially a bartender, but we edited him to a diner owner, which I think worked a lot better for the lighthearted tone of the story. Zoey originally traveled more, but it changed to Alaska being her first big trip somewhere. But Alaska was always her favorite bucket list place to go!

What was the hardest scene to write in The Tourist Attraction?

Definitely the beginning! I tend to write out of order, then combine all my scenes later for editing. I like to write the first chapters last of all, but with Tourist, I had to write the first chapters first for my publisher. So, it was definitely more difficult than normal!

What are some books that influenced you as a teenager?

I read a lot of fantasy novels in middle school and high school (Tolkien, Raymond E. Feist, Terry Brooks, etc.). Epic sword & sorcery type stories were my favorites. I also loved reading novels about TV shows/movies I was into. Buffy the Vampire Slayer, Angel, and X-Files, plus some Star Wars stories. I started reading romance when those stories didn't focus on the love interests as much as I wanted. I've always been a fan of happily ever afters!

What does a typical day in quarantine look like to you?

I like to get my writing done in the morning, if possible. Then I spend a little time on social media and go for walks with my dog in the afternoon. I like to cook, so I'm usually cooking dinner in the evenings, and then Hulu or Netflix! And on weekends, my family will go for drives to nearby state/national parks if we can. We love the outdoors and hiking!


An Interview with Leah Konen

Leah Konen's love for reading was born in a small town in Washington state. Her first book, The After Girls, came out in 2013 and has since been followed by Love and Other Train Wrecks, The Romantics, and many others. Most recently, Konen's first thriller book, All The Broken People, wowed readers. It can be found at Konen's website www.leahkonen.com. Konen's 2015 book, Love and Other Train Wrecks, is one of my favorite books. Taking place over 24 hours, Love and Other Train wrecks follows two teenagers after they meet in unusual circumstances.

What was the first book that ever made you cry?

Anne of Green Gables. I just bawled at the end. I think I was ten or eleven, so it was definitely a surprise to find myself crying from a book.

What was the first story you ever wrote? How old were you?

I always wrote stories, but the first one I can really remember setting my mind to and finishing was a picture book called "The Rose Garden." It was about a girl who goes out into her backyard one night and discovers that there is an entire fairy kingdom contained in a single rose. The rose fairy is able to shrink the girl so she can go take a tour of the kingdom. The girl wishes she could stay but ends up returning to her family in the end.

How long did it take to write Love and Other Train Wrecks?

Once I had the idea, it only took me a few months, but I was circling around the idea and the characters of Noah and Ammy for a long time before that. I actually imagined all the main characters in an entirely different novel, but when I got the idea for a train wreck, I knew I wanted to change it up.

How do you select the names of your characters?

The name Amarantha/Ammy just came to me. I honestly don't know where I got the idea for that. For Noah and Kat and most of my other characters, it's a mix of thinking and Googling lists of baby names!

Did you edit anything major out of Love and Other Train Wrecks?

I did not. The book as you see it is very close to my first draft. But like I said, I did have an entirely different novel I planned initially for these characters. It was going to be about Ammy, Kat and Noah getting snowed in and deciding to put on a play.

What was the hardest scene to write in Love and Other Train Wrecks?

When Ammy calls her mother, and the two make up and reckon with the issues that have been going on between them. I find these family scenes, especially around divorce, to be incredibly difficult, as it brings up a lot of my own experiences as a teen. Ammy's mother is not based on my mother, but I did go through my parents' separation and eventual divorce at a similar age.

If you didn't write, what would your profession be?

I would love to make movies. I secretly hope that one day I'll be able to write a screenplay for one of my books!


An Interview with Frank Portman

Frank Portman, or as he is better known, Dr. Frank, started his career as a singer, guitar player, and songwriter for the band The Mr. T Experience. The Mr. T Experience was formed in 1985 and is still around today, with songs like Ba Ba Ba Ba Ba and More Than Toast. In 2006, Portman decided that after many years of songwriting, he should try his hand at novel writing. What resulted was King Dork, Andromeda Klein, and King Dork Approximately. Here's what Portman had to say about his first young adult book.

You started out your music career in high school, and have been playing ever since. How did an interest in music translate into an interest in writing?

It was only after I'd been writing songs for many years that I started writing the books. The way that happened was, a literary agent who was a fan of the songs suggested that I try to write a novel with similar sensibilities to some of the songs. I was skeptical, but gave it a shot and King Dork was the result. I realized in the process that several of my songs did in fact have a particular narrator-character, and I imagined what that narrator might be like telling a story in the form of narrative fiction rather than song lyrics, resulting in Tom Henderson. It was all a bit of a surprise really.

Both your books King Dork and King Dork Approximately feature songs written by the main character, Tom. In fact, when King Dork Approximately came out, so did an album that includes many of the songs featured in the books. Did writing the books inspire you to write the songs, or did writing the songs inspire you to write the books?

The title King Dork was the title of a song already that preceded the book, and it seemed only natural to try to flesh out and actually write the songs mentioned in the books. I suppose you could say they both inspired and influenced each other.

Like Tom, you were in a band in high school. How similar is Tom to your high school self?

Tom is far more severely alienated than I ever was, but, having said that, I basically was that kind of kid. I didn't have a lot of friends and wasn't very interested in "high school stuff," and I was pretty cynical, but I kept it all to myself and I doubt many of my classmates had any idea. As for the band(s), most of mine were largely imaginary like Tom's and just as accident prone when I tried to make them 'real." In that, we were precisely similar.

You have written three books, King Dork, King Dork Approximately, and Andromeda Klein. Walk us through how your writing and writing habits have changed between the three books.

The first time around I really didn't know what I was doing. I just typed like a madman with very little "filter" or plan and then was left with a big pile of chaotic text to sort through. I had to do four drafts before it was presentable as a novel. Subsequently, I got a little more efficient, but it was still a matter of editing a free-for-all "voice" down to a more or less manageable novel-like thing. Of the three, King Dork Approximately had the most coherent plan from the beginning, but was actually quite a bit more difficult to produce because of that somehow.

What were the books that influenced you as a teenager?

I was a big fan of Raymond Chandler, initially for the stories and "style," only later for perfectly-cast sentences, which I still find thrilling. (Ditto P. G. Wodehouse.) I read a lot of fantasy and sci fi as well, but crime fiction was always my main line. I also read what was then the "young adult" corpus pretty comprehensively, because I worked in the children's room at a public library and set myself the task of reading all the books in the room in order, as a sort of stunt. The best of them all was Robert Cormier, but I also really liked Ellen Raskin and the Scott Corbett "scary" stories.

What bands influenced you as a teenager?

I was immersed in rock and roll music through underground radio and record collecting and everything influenced me, but I'll answer with: the Kinks, Elvis Costello, Thin Lizzy.

Did you edit anything major out of King Dork?

In early drafts there was quite a bit more stuff about family life and Tom's relationship with Amanda. Also several lengthy bits of Tom ranting about philosophical stuff had to be let go, because they were repetitive. To be honest, I expected a lot of censorship from the publisher but that didn't happen at all to speak of. The main concern with chopping stuff out was to get out of the way of the jokes. My goal was at least one "laugh" per page.. .not sure I quite got there but it was close.


An Interview with Catherine Murdock

Catherine Murdock was born in South Carolina, but grew up on a small Connecticut farm, among goats, bees, and Christmas trees! She's written many books, including Princess Ben, Dairy Queen, and her most recent book, The Book of Boy, which takes place in 1350. Princess Ben follows a young girl, locked in a castle after the death of her parents. There, she begins a journey in magic, while trying to protect the kingdom she loves. Here's what Catherine Murdock had to say about Princess Ben;

Did you edit anything major out of Princess Ben?

Hmm. I recall the first draft got really really slow at the beginning of Part IV, so I'm sure I cut something. More importantly, I took out words. At one point the manuscript was 80K words, and I cut out 30K words by going through sentence by sentence. A paragraph with 200 words is better than a paragraph with 280 words. Shorter=better, always.

What was the first book that ever made you cry?

I cried over The Story of Ping, but I cry easily. The first book that made me completely lose it was Tuck Everlasting, which I think is true for many readers.

What was the first story you ever wrote? How old were you?

I recall writing a story in 2nd grade about a girl whose front teeth grow in and eventually encircle the globe-a high point was drawing Earth with 2 white lines girdling it. The teeth fall out that night and she's fine, the end. Not a literary high point.

How long did it take you to write Princess Ben

I wrote the first draft of PB in 17 days! And then a year to make it readable.

How do you select the names of your characters?

I love selecting characters' names, and can't write anything until they're named down. For some reason I got on a Puritan-virtuous-names kick (which got even weirder in Wisdom's Kiss, the sequel), but I believe it all started because I loved the title "Princess Ben," and then had to figure out what Ben's real name was.

What was the hardest scene to write in Princess Ben?

I can't recall the hardest scene (the book was so so much fun to write!), but I do know the hardest arc was the relationship between Ben and Sophia, because the queen has to be seen as awful at first, and then as Ben's attitude changes, the reader does as well. That took a bit of finesse. I'm quite fond of Sophia, and much closer to her personality-wise than I'd like to admit.

If you didn't write, what would your profession be?

These days, I'd love to be a house painter. Since quarantine began, I've been painting our attic and the work is so detail-oriented. Also-exactly like writing!!!-most of the time you're not actually painting. You're scraping or taping or patching or sealing-painting is about 20% of the time, max. (And sewing-oof. Only 7% of my "sewing" time do I actually sew.) In all cases, you've got to learn to enjoy the whole package or you'll get resentful.


An Interview With Susin Nielsen

Canadian author Susin Nielsen started out her career in the television industry, where she wrote for the award-winning television series Degrassi Junior High. Since then, she has written on many other shows, including Ready or Not, Braceface, and Heartland. Although Nielsen began her writing career later in life, she has always dreamed of writing. Her first book, Word Nerd, came out in 2008 and has since been followed by Dear George Clooney: Please Marry My Mom, We Are All Made Of Molecules and many others. Nielsen's novels have been translated into many languages, and I recommend heading over to her website to see the beautiful overseas covers. Here's what she had to say about her 2015 novel, We Are All Made of Molecules;

Did you edit anything major out of We Are All Made Of Molecules?

Not that I can remember. I can tell you that one of the US publishers who bid on the book wanted me to tone down or take out a lot of the harder-hitting content. I did not go with that publisher. :-)

What was the first book that ever made you cry?

"The Chronicles of Narnia." I believe it was the first book in the series. My mom read it to me when I was around 8, and when Aslan died, I sobbed and sobbed ... then I was so overjoyed when he was resurrected.

What was the first story you ever wrote? How old were you?

It was called "The Smallest Snippet of Snipeton." I did all of the illustrations (it was a picture book) and bound it in red duct tape, and they put it in our school library. Four kids took it out! I was ten.

Do you ever have trouble being motivated to write? Do you stick to a schedule, or write when you are inspired?

Oh yes, I have many days when I have trouble with motivation. I do try to stick to a schedule, and write even when I'm not inspired, because if I only wrote when I was inspired, nothing would get completed! And sometimes, those days when you feel the least inspired, become really good writing days, because something clicks along the way.

How do you select the names of your characters?

I try not to spend too much time agonizing over character names because it can be a really good procrastination tool. That said, I also know when I land on the right name. I have a dog eared baby-naming book that I often use, and Google is also my best friend.

What was the hardest scene to write in We Are All Made Of Molecules?

Some of the stuff with Jared. And some of the stuff with Stewart, thinking about his mom.

If you didn't write, what would your profession be?

Well, I'm really glad I'm a writer because honestly, I stink at almost everything else! I used to think I might have been a teacher, but now, after many school visits, seeing how hard teachers work, I'm not sure I could do it!

An Interview with Kody Keplinger

Kody Keplinger wrote her first book, The Duff, when she was just seventeen years old. Since then, she has penned six young adult novels, as well as one middle-grade novel. Included in this impressive list is Lying Out Loud, the companion novel to The Duff, and That's Not What Happened, her most recent novel. Many of the books Keplinger writes have corresponding playlists, which can be found at kodykeplinger.com! Songs on The Duff's playlist include "Womanizer" by Britney Spears and "The Way I Loved You" by Taylor Swift. Keplinger was born and raised in a small Kentucky town, and can be found on social media, championing causes such as body positivity and discussing her favorite tv shows. Here's what she had to say about her 2010 book, The Duff;

How long did it take to write The Duff?

The first draft took about a month and a half. I started writing it on January 6th, 2009 (11 years ago! Wow!) and finished the first draft in late February. I then spent all of March revising and started looking for an agent in April. That said, after I did get an agent and then eventually an editor, I spent many months editing to get the book where it ended up by the final draft. Much more time than I spent writing the first version.

The Duff was recently made into a movie. What was it like to see your ideas translated on the screen? How involved where you in the movie making process?

It's complicated, because the movie and the book are not very similar, really. They have some similarities, but not that many. I love the movie, and getting to see the process was really interesting. I was lucky enough to make some great friends during that time, including with the screenwriter. But I was not directly involved in the process at all. Most writer's aren't, actually. That's a common misconception, but novelists rarely have any input in the film adaptations of their books. I did, however, get to visit the set and film a cameo and meet the cast - who were all lovely, lovely people, and that was one of the coolest moments of my career. Even if it's very different from my own work, I do love the movie very much. I can't believe it came out five years ago!

Did you edit anything major out of The Duff?

Not really, actually! In fact, my editorial process rarely includes editing things out. My drafts tend to be quite short. So in edits, I am usually adding ten-to-twenty thousand words of new content to flesh things out.

What was the hardest scene to write in The Duff?

I'm going to be honest and say I really don't remember. I wrote it so long ago. My writing process has changed so much and, by comparison, writing The DUFF was a much easier process - there were no deadlines, no readers. I didn't know yet it'd really be published, it was just for fun back then. I can no longer write a first draft in that short of time, either - I tend to spend way more time crafting my work than I did when I was seventeen and just starting out. And while I am still quite proud of The DUFF, I think you can tell, in my new work, how much more effort I put in and how much I've learned. So while I"m sure there were hard scenes to write, by comparison, in my memory, the DUFF was a very easy writing process.

What was the first story you ever wrote? How old were you?

I'm not entirely certain. I did a lot of storytelling, even before I could really write. I'd sit at a typewriter or a computer in my mother's office at work and click the keys and tell her what story I thought I was writing. The first story I remember writing down in full - and that I think my mom still might have somewhere saved, horrifyingly - was called Molly's First Day. It was about a girl on her first day of first grade, and I not only wrote it on notebook paper, but I drew pictures for it, too. I was six or seven at the time.

How do you select the names of your characters?

Oh, this is a fun question! So, I actually rarely consciously select the names in my books. Most of the time, when I come up with a character or a story, the character is already named. Like Bianca in The DUFF was always Bianca. I didn't pick it, that's just who she was. However, there have been other cases where I either didn't have a name or I needed a new name because I wanted to change one. In that case, I sometimes keep a list of names I love and want to use one day. Or sometimes I look for names with a similar sound to what I need. For instance, in my book That's Not What Happened, the main character is named Lee. My original idea was for her to be named Rae, but it didn't quite fit. I knew I wanted a single syllable, unisex name - I wasn't sure why, but that's just what felt right for the character. And eventually I landed on Lee. When a character doesn't come to mind with a name already in place, picking their name is one of my favorite parts of the writing process. I love, love, love names.

If you didn't write, what would your profession be?

This is a great question. When I was younger, I always said I wanted to be either a writer or an actress. And writing and acting are still my great passions. So maybe I'd be doing theater of some kind. I still miss theater desperately. As I type this, I had a dream last night about being on stage. Granted, in my dream I was about to go on stage and hadn't learned al my lines yet because I wasn't given ample prep time. But, strangely, I woke up from the dream not stressed but rather thinking, "Aww. I miss theater." Haha. So I'm sure I would have wandered more in that direction if writing hadn't taken hold.


An Interview with Jen Doll

Jen Doll's first young adult novel, Unclaimed Baggage, became available to the public on September 18th, 2018. Doll moved around a lot as a kid, and Unclaimed Baggage follows a main character who is similarly going through a move, to Alabama. Although Unclaimed Baggage is Doll's first young adult book, her 2014 novel, Save The Date, is a memoir about relationships and marriage. Currently, Doll is splitting her time between Brooklyn and Upstate New York and is a contributing writer at The Week.

What was the first book that ever made you cry?

Oh my gosh. Toss-up between Bridge to Terabithia (which still makes me cry!) and Old Yeller (also still makes me cry!) and maybe Where the Red Fern grows (again, tears, so many sad dog books!) and ... A Tree Grows in Brooklyn, which is one of my all-time favorites and I re-read pretty much every year (and cry!). To be clear, I cry a lot while reading and sometimes even while writing my own books, and I definitely don't mind crying while reading. I think it's a sign of a book well done.

What was the first story you ever wrote? How old were you?

I have been writing stories my whole life, starting in kindergarten! I have notebooks full of silly stories about furry creatures that could talk and people who suddenly shrank to thimble-sized and had all kinds of adventures. (I was very influenced by The Littles and The Borrowers.) As a kid, I used to tell my younger brother a series of bedtime stories about a hamster (I think he was a hamster! Something very fluffy, anyway) named Humphrey who was extremely wise and had lots of strange things happen to him. We still talk about those "Humphrey stories."

Do you ever have trouble being motivated to write? Do you stick to a schedule, or write when you are inspired?

When I'm IN a story, like chugging along and going, I am very motivated to keep doing it. I just write every day or as often as I can and get it done. But in the beginning of working on a project when I'm figuring things out, it can be hard to commit to stories, plot points, or even characters. (Also, when I'm juggling a lot of different projects, it's sometimes challenging to figure out which to work on, and I get pulled in a lot of different directions.) I am a person for whom the schedule no longer works when it starts to feel too much like a chore, so I don't really have set times I have to write, it's more like doing so many words a day or just making sure I'm sitting down and working when I've got something due. (But the closer to deadline, the easier it is to work!)

How do you select the names of your characters?

I just sort of feel them. When I think of characters, they usually come with names. And sometimes they come from reality. In the case of Unclaimed Baggage, I had a really good childhood friend named Doris and I wanted to pay homage to her influence in my life.

Did you edit anything major out of Unclaimed Baggage?

Books tend to go through a lot of rounds of revision and there are definitely things that get eliminated in the end. One storyline that got cut was about a long-lost relative of Doris! (Maybe I'll save that for another book.)

What was the hardest scene to write in Unclaimed Baggage?

Probably the one where Nell and Ashton finally talk about the racist attack against him. I went through a lot of revisions on that, trying to get the scene right.

If you didn't write, what would your profession be?

I have no idea. That's why I have to keep being a writer!

Unclaimed Baggage is a real store! Check out the website, I found it fascinating!


An Interview with Marie Marquardt

Marie Marquardt is the author of three young adult books, The Radius of Us, Flight Season, and Dream Things True. As well as writing for a younger audience, Marquardt has co-written two nonfiction works about immigration and religion in a changing world. She is an advocate for Latin American immigrants, and to top off that impressive resume, she also is a college professor. Her novels are designed to bring awareness to the causes she champions because while they are fictional, they are based on very real events. I sobbed consistently through Flight Season, which follows two young hospital interns and one of their patients. Here's what Marie Marquardt had to say about her 2018 book;

What was the first book that ever made you cry?

Probably The Lion, the Witch, and the Wardrobe. I read it three or four times one summer, at my grandparents' house. When Aslan died on the stone table, I sobbed. Every time.

What was the first story you ever wrote? How old were you?

I can't recall a time in my life when I wasn't making up stories in my head, but I never had the courage to write them down. Finally, at thirty-eight (!!) I overcame my fears and decided to give it a shot. That story became my first YA novel, Dream Things True.

Do you ever have trouble being motivated to write?

Yup. Pretty much every day. But usually, once I get going, I also have trouble stopping.

Do you stick to a schedule, or write when you are inspired?

Both. It depends on whether I have a deadline. Because I have a hard time getting started, deadlines help me stick to a writing schedule. That's one of many great reasons to have a writing partner or critique group. My fabulous writing partner, Mayra Cuevas, is very demanding! We've been writing together for eight years. She helps me stay on track.

How do you select the names of your characters?

Some just come to me, and others I have to research. Most of my main characters have a personal story attached to their name. Vivi's real name is Viola. I wanted to name one of my daughters Viola, after my beloved grandmother. But my husband didn't exactly love the name! So I named one of my fictional "babies" Viola, instead.

Did you edit anything major out of Flight Season?

Actually, no. In my other books, I had to cut out major characters and even secondary plots, but this one stayed fairly close to the original story.

What was the hardest scene to write in Flight Season?

The last one. I could barely see the screen through my tears.

If you didn't write, what would your profession be?

That's an easy one. Like most published authors, I already have another profession. I am a college professor, and I teach sociology of religion.


An Interview With E.D. Baker

E.D Baker's book, Wings was one of the first chapter books I ever read. I was in love with it, and I immediately devoured everything else the author had to offer. E.D. Baker published her first book in 2002, once her sons were already out of the house. Since then, Baker has written 25 books, including two books in the Wings series. Her first book, The Frog Princess, is Disney's inspiration for The Princess and The Frog! I was thrilled to get a chance to speak with her about her 2008 novel, Wings. Here's what she had to say;

What was the first book that ever made you cry?

The first book that ever made me cry was The Little Princess. My aunt had given the book to me. When I reached the point where bad things happened to Sarah, it made me so sad that I stopped reading it. My aunt assured me that it got better, so I finally finished it. The Little Princess became one of my favorite books.

What was the first story you ever wrote? How old were you?

The first story I remember writing was a play for a Girl Scout badge. My friends and I performed it for our troop. I think I might have been twelve at the time. However, I enjoyed writing long before that and often wrote short stories for my elementary school classes.

Do you ever have trouble being motivated to write? Do you stick to a schedule, or write when you are inspired?

I love writing and I've never had trouble feeling motivated. However, sometimes life gets in the way and I have to do other things. If I don't write for a few days, I go through writing withdrawal and don't feel right again until I've returned to my stories. I don't have a rigid schedule, but usually write for at least a few hours every day.

How do you select the names of your characters?

I make up some of the names. Others are just names that feel right for the characters. I've also found names in an atlas, a character naming source book and the phone book.

Did you edit anything major out of Wings?

I wrote one version of Wings, didn't like it, and rewrote the entire thing. I don't believe I edited anything major out of the second version of Wings.

What was the hardest scene to write in Wings?

I used to find that the first and last paragraphs in my books were the hardest to write. I don't remember any part of Wings that was particularly difficult. It all just seemed to fit.

How long did it take you to write Wings?

I believe it took me about a year to write Wings.


An Interview with Don Zolidis

Don Zolidis is the author of two wonderful young adult novels, The Seven Torments of Amy and Craig, and his brand new book, War and Speech. He has also penned over 100 plays, many of which you can find on his website. I had an amazing time reading the scenes and monologues featured on his website, and I recommend heading over to www.donzolidis.com so you yourself can take advantage of his amazing work. Zolidis's first book, The Seven Torments of Amy and Craig follows two high school seniors as they navigate an unlikely relationship. Heres what Zolidis had to say about his debut novel;

What was the first book that ever made you cry?

That's such a hard question! I bet it was some fantasy novel where a character died, but I think I've most likely forgotten it. I certainly cried reading THE GIVING TREE, because man that story tries to kill you.

What was the first story you ever wrote? How old were you?

I remember writing a story in 2nd grade where the main character shrunk to the size of an ant. There were monstrous caterpillars, and I believe he was killed by a praying mantis. I also have a "book" I wrote in 5th grade (where I did the illustrations myself!) that was about ninjas and monsters. (Take a look at my Instagram @the_juniper_journals to see an image of this very book!)

Do you ever have trouble being motivated to write? Do you stick to a schedule, or write when you are inspired?

If I'm not motivated to write something, it's a good indication that there's something wrong with the story I'm trying to write. Usually, it's not too difficult for me to keep going - I feel like I have my dream job, (which is to be a "writer"), and if I stop writing, then I'm not doing my job. I try to write every day, but the time varies, and the amount of time changes as well. Lately, I've been keeping to a schedule because I like to write outside, so I have to work when the table is in the shade.

How do you select the names of your characters?

Usually, they just come to me. In Seven Torments, Craig was the name of my old high school, so that's why he was named. And sometimes I just love the way a name sounds, like "Groash."

Did you edit anything major out of The Seven Torments of Amy and Craig?

Well, yes. There was a whole 7th relationship that took place after graduation, but my agent and I ultimately decided that made the whole thing a little too muddy.

What was the hardest scene to write in The Seven Torments of Amy and Craig?

Probably Amy's letter. I went over that many times, trying to get it just right.

If you didn't write, what would your profession be?

A cartographer! I've always loved drawing maps, and someday I'll probably write a fantasy novel just so I can make my own map for it.

An Interview with Heather Vogel Frederick

Growing up, Heather Vogel Frederick was constantly surrounded by books. In her family's home in New Hampshire she would spend hours reading, putting on plays with her sisters, and listening to her mother and grandmother's captivating stories. In fact, her mother would often say that "if Heather had her nose in a book, the house would have to burn down around her before she'd sit up and take notice!"

Now, Heather Vogel Frederick has written nineteen books, ranging from picture books to novels. Her book The Mother-Daughter Book Club was one of the first book series I ever read entirely by myself. I was in love with the character's world and even tried to form my own entirely unsuccessful Mother-Daughter Book Club. All of the books written by Heather Vogel Frederick intrigued me (Check out her new book Really Truly-the third book in the Pumpkin Falls Mystery series!!) and I was thrilled to get a chance to talk with her. Here's what she had to say about The Mother-Daughter Book Club;

JS: What was the first book that ever made you cry?

HVF: Charlotte's Web. I was in second or third grade, and my teacher was reading it aloud to the class, and I just totally lost it when Charlotte died! We all did!

JS: What was the first story you ever wrote? How old were you?

HVF: I was eight, and it was called The Clever Giant. It wasn't very clever, but it was all mine, and I was ridiculously proud of it. (I still have that story, too.)

JS: Do you ever have trouble being motivated to write?

HVF: Of course. All the time. It's human nature to want to slide. But writing is my job, and I get myself in gear and I do it!

JS: Do you stick to a schedule, or write when you are inspired?

HVF: If I waited to write until I was inspired I would never write a word. The act of writing itself often jumpstarts inspiration, I find, so I remind myself that writing is my job, and I write.

JS: How do you select the names of your characters?

HVF: Oh wow, so many different ways. I've kept a notebook for years with names that I like and want to use someday. Clementine came from that notebook. I comb through baby books. I visit graveyards, believe it or not! They're a great source of names. And a name has to be just right - throughout the entire first draft of The Mother-Daughter Book Club, Jess's name was Joy. It wasn't quite right, but I couldn't put my finger on what was wrong with it. And then one day, "Jessica Delaney" floated into thought. Perfect cadence (rhythm), great nickname (Jess), bingo! No more Joy.

JS: Did you edit anything major out of The Mother-Daughter Book Club?

HVF: Not that I can think of.

JS: What was the hardest scene to write in The Mother-Daughter Book Club?

HVF: The last scene in the final book. Knowing that I was saying goodbye to "my" girls was painful. 

JS: If you didn't write, what would your profession be?

HVF: I would either be a librarian or a bookseller. Definitely, something to do with books!

An Interview With Patrick Ness

Although Patrick Ness was born in the United States, he now lives in London, where he has written the majority of his novels. In fact, his young adult book A Monster Calls was adapted as a play on the West End. As well as A Monster Calls, Ness has written nearly twenty other novels, both YA and adult. For these books, Ness has won the Carnegie Medal twice, received the Guardian Children's Fiction Prize, and been the recipient of many other honors. He wrote the screenplay for the 2017 film adaption of A Monster Calls and is the writer and creator of the Doctor Who spin-off series, Class. I stumbled upon the first book in his Chaos Walking series last summer and immediately fell in love. Since then, I have devoured his other books, including his latest book Burn, and really encourage you to go check them out. Here's what Patrick Ness had to say about The Knife of Never Letting Go.

JS: What was the first book that ever made you cry?

PN: Probably Where The Red Fern Grows, which is the most pointlessly, sadistically sad children's book ever written.

JS: What was the first story you ever wrote? How old were you?

PN: I can't remember the actual first one, but they were mostly for class assignments. I just kind of took them and ran with them, never really dreaming that it could end up something I would do for a living.

JS: Do you ever have trouble being motivated to write? Do you stick to a schedule, or write when you are inspired?

PN: All writers are masters of procrastination, but then all real writers write anyway. That's always been my motto: "Real writers don't write, they write anyway." It's a hard day to write? Write anyway. Don't think you'll ever be published? Write anyway. It gets in your blood after a while, so now I just write. Anyway.

JS: How do you select the names of your characters?

PN: Names are mystical. They come from who knows where and are right or not. You wait until the right one shows up or if you don't quite get the right one, the character grows into the one you've given them. I do make them all up, though; I know some writers use name lists and that's completely fine. I just scramble until I think of a good one that I like and that fits.

JS: Did you edit anything major out of The Knife of Never Letting Go?

PN: Not really. My first drafts are messy on purpose, so I can figure out what the book is about. That way, when I do edit anything major out, it wasn't supposed to be there in the first place. So it would be nothing I would miss.

JS: What was the hardest scene to write in The Knife of Never Letting Go?

PN: Can I mention that I've got a new book, Burn, out? Super pleased when people read Chaos Walking, but it was ten years ago. New stuff is out! With dragons! But anyway, the hardest scene in Knife to write is almost certainly the one you think is the hardest to read. Something very very sad (but important) happens. And I thought that if I didn't feel it when I wrote it, there was no chance you'd feel it when you read it.

JS: If you didn't write, what would your profession be?

PN: I always wanted to be a film editor. I still think I might be good at it. Otherwise, I'm useless for most other professions. Though I can type really fast so...


An Interview With Kevin Wignall

Kevin Wignall, the author of When We Were Lost and many other amazing novels was born in Brussels and raised in Europe. He currently lives in England, making him our first overseas author! He has penned over thirty works, including young adult books, novels, and short stories. He loves maps, dogs, traveling, and movies, and he hates crowds, people who are rude to wait staff, and certain kinds of jazz. Here's what he had to say about his 2019 book, When We Were Lost.

JS: What was the first book that ever made you cry?

KW: I think it was probably "Of Mice and Men" by John Steinbeck. The ending completely threw me.

JS: What was the first story you ever wrote? How old were you?

KW: I was always writing little stories and poems. The first one I remember was at school when I was about seven, about a diver searching for sunken treasure and finding a skeleton. I remember because I got the spelling wrong and called it a "skellington", and the teacher corrected it - even at that age, I remember thinking, "Yeah? But skellington sounds better"!

JS: Do you ever have trouble being motivated to write? Do you stick to a schedule, or write when you are inspired?

KW: The truth? Sometimes. I think about my books for a long time, so I'm not writing every day of the year. When I'm actually writing a book I have a loose schedule (usually late afternoon for an hour or two, then in the evening for a few hours) and I write really fast, but as much as I love writing, there are days when I sit at my desk and just end up staring out of the window.

JS: How do you select the names of your characters?

KW: It's much harder than you might think! You have to avoid names you've used before, you have to avoid having too many characters with the same initial. I often go to Internet Movie Database, select a random movie or TV series and look at the names of the cast and crew, then narrow down the names I like.

JS: Did you edit anything major out of When We Were Lost?

K: No, but I did add something major. The scene at the ravine where (avoiding spoilers) one character gets separated. My editor asked me if I could add one more incident to this part of the book, and I immediately saw how I could change this scene and make the journey much more interesting and help to show the vulnerable side of that character. The best editors do this - they make a suggestion and you feel like the idea was always there, waiting to be written.

JS: What was the hardest scene to write in When We Were Lost?

KW: The hardest thing to decide was what to do about the dog! Seriously, I wanted Tom to keep him, but I knew that wasn't realistic. Even for me, and even though he was going to a good home, it was really hard to leave him behind.

JS: If you didn't write, what would your profession be?

KW: I would still be a writer. I would do some other thing, but I would still write and that would still be my dream.

JS: What kind of research did you need to do in order to make the survival scenes in When We Were Lost accurate?

KW: I had to do a lot of research for this book, but the most difficult part was learning about airplane design - thankfully most of us have never seen what a plane looks like when it's torn in two, but I had to be certain about those details. It hasn't changed me though - I didn't do much flying before writing this book, and I still don't!


An Interview With Florence Gonsalves

Florence Gonsalves is the author of two novels, Love and Other Carnivorous Plants, as well as her brand new fiction Dear Universe. She is a graduate of Dartmouth College but hasn't always been a writer. In fact, she has not only worked as a farmer but also as a UPS driver in the past. Her book, Love and Other Carnivorous Plants has been one of my favorites ever since I first read it. It follows college freshman Danny as she struggles to find a renewed sense of self while battling some destructive tendencies. It beautifully leads us through Danny's journey as she discovers herself, its discussion of heavy themes never heavy-handed. I truly loved this book, and I recommend checking out both Love and Other Carnivorous Plants and Gonsalves's new book Dear Universe.

JS: What was the first book that ever made you cry?

FG: Oh man, I'm a big crier. Maybe that book about the Titanic in the Dear America series. I read it in fourth grade and sobbed for days.

JS: What was the first story you ever wrote? How old were you?

FG: Apparently I wrote a story in elementary school that I just found in my parents' basement. I got a B- so it must not have been very good.

JS: Do you ever have trouble being motivated to write? Do you stick to a schedule, or write when you are inspired?

FG: I go through phases while editing a book when writing is really hard, but my writing practice for myself comes pretty easily - journaling, poetry-writing, free-writing. I write first thing in the morning every morning over like a barrel of coffee.

JS: How do you select the names of your characters?

FG: I love quirky names. I start with one that tickles me, like Dandelion, and make a story up for how the character got named something so outrageous. It helps me start the book.

JS: Did you edit anything major out of Love And Other Carnivorous Plants?

FG: I did edit out a love interest for Danny's best friend, plus a few scenes that just didn't fit. The heart of the story stayed the same though.

JS: What was the hardest scene to write in Love And Other Carnivorous Plants?

FG: The funeral scene. And the ending.

JS: If you didn't write, what would your profession be?

FG: Oof. I'd like to be a divorce lawyer or a dog walker or a professor or an aesthetician - I like popping pimples and it's less creepy if you're also giving the person a facial.



An Interview With Jodi Picoult

        At this point, Jodi Picoult has become a household name. She is the author of a whopping 25 best selling books, including My Sister's Keeper, Small Great Things, A Spark Of Light, and the book we will be discussing today, Off The Page. Four of her novels have been made into movies and been translated into thirty-four languages. Picoult has co-authored two young adult books with her daughter, Samantha van Leer. The first of which, Between The Lines, takes place when a teenager realizes that her favorite fictional character can come alive. I really loved this book, and I immediately jumped at the sequel, Off The Page. I got a chance to speak with Picoult about Off The Page. Here's what she had to say;

JS: What was the first book that ever made you cry?

JP: Gone with the wind

JS: What was the first story you ever wrote? How old were you?

JP: The Lobster that was misunderstood, I was 5!

JS: Do you ever have trouble being motivated to write? Do you stick to a schedule, or write when you are inspired?

JP: I don't believe in writer's block, that is what happens when you have too much time on your hands. Miraculously it clears up the night before your deadline. Instead, I always say you can edit a bad page, but you can't edit a blank page.

JS: How do you select the names of your characters?

JP: From baby name books, or else they just sort of arrive named.

JS: Did you edit anything major out of Off The Page?

JP: Not that I can remember!

JS: What was the hardest scene to write in Off The Page?

JP: Without giving away spoilers, it involves someone who is very sick.

JS: If you didn't write, what would your profession be?

JP: A pastry chef!


An Interview With Robin Benway

        Wow. Before I start this one I have to gush a little bit. Far From The Tree is my absolute favorite book in the entire world. So when I reached out to Robin Benway, I did not expect a response at all, let alone the very kind and thoughtful reply that I received. Benway's book Far From The Tree won the 2017 National Book Award for Young People's Literature. Besides Far From The Tree, Robin Benway has penned five other award-winning novels including Audrey Wait, Secrets of April May And June, Also Known As, Going Rogue, and Emmy And Oliver. She grew up in Orange County California, attended NYU, and has a degree from UCLA. If you head over to robinbbenway.com, you can read more about each of her books, and even check out the playlists that inspired each of her books. Enjoy!

JS: What was the first book that ever made you cry?

RB: Leo the Lop by Stephen Cosgrove and Robin James. I was probably around two or three when I first read it? I thought he seemed lonely and it made me sad for him. I was a very dramatic child.

JS: What was the first story you ever wrote? How old were you?

RB: The Pesty Little Brother when I was seven years old. It was about, you guessed it, an annoying little brother and it was inspired by my own life. I made it up to my brother by dedicating Far From the Tree to him and I'm happy to report that he's no longer annoying.

JS: Do you ever have trouble being motivated to write? Do you stick to a schedule, or write when you are inspired?

RB: I'm forever unmotivated to write. I'll do anything if it means not sitting down to wrestle with my characters and plot. I try to work at the same time every day because that kicks my brain into gear, but I can't start a book until I get that inspirational "aha!" moment. It can take many months for me to get to that point, but then it's all downhill from there. (In a good way!)

JS: How do you select the names of your characters?

RB: For the most part, I don't really select them, they choose their own names. It has to be something that I don't mind typing hundreds of times throughout the manuscript, though. The characters I'm working on now took a little bit of time to figure out, so I crowdsourced and asked a few friends for their favorite names, and one suggestion was perfect.

JS: Did you edit anything major out of Far From the Tree?

RB: I wrote the first 100 pages entirely from Grace's point of view, with no commentary from Maya or Joaquin. I realized on page 101 that it was really boring and needed to be rewritten with all three characters' POVs. It was daunting to go back in and tear up those pages, but it was the right thing to do.

JS: What was the hardest scene to write in Far From the Tree?

RB: The letter that Grace receives from Peach's adoptive parents. I was in an emotional place when I wrote it, which I think helped, but I cried the whole way through that scene.

JS: If you didn't write, what would your profession be?

RB: I'd want to be a food writer, a cello player, or an organic gardener.


An Interview With Sandy Hall

       Sandy Hall started out her journey with books as a YA librarian in New Jersey. She never intended to be a writer, in fact, she failed her expository writing course in college. However, it was clearly meant to be. Her critically acclaimed books A Little Something Different, Signs Point To Yes, Been Here All Along, A Prom To Remember, and The Shortest Distance Between Love and Hate are all joys to read. I also want to point out the beautiful covers of her books, as well as how kind she was in our back and forth. I got the chance to speak with Sandy Hall about her debut book, A Little Something Different. Here is what she had to say:

JS: What was the first book that ever made you cry?

SH: I don't remember a time when I didn't love to read. But I'm not sure I remember the first time a book ever made me cry. However, I do remember the first book that made a lasting impression on me and that's HOMECOMING by Cynthia Voigt. I read it in fourth grade and I remember bringing it to my teacher for her to "okay it" for a book report. And she asked if I was sure I wanted to read it because it was very sad. Her warning really just made me want to read it more. I don't specifically remember crying while reading it, but I've read it at least ten times since then and every time it's made me cry.

JS: What was the first story you ever wrote? How old were you?

SH: When I was in middle school, my friends and I used to make up stories and record ourselves telling them on an old camcorder. The stories were just about us doing things together that would never happen because we were only 12 at the time. (Like going to sleep away camp or Disney World. I think we got most of our ideas from Babysitter's Club Super Specials.) I know that's not "writing" but it was storytelling and definitely the first time I remember doing it in any kind of organized way.

JS: Do you ever have trouble being motivated to write? Do you stick to a schedule, or write when you are inspired?

SH: When I decided I wanted to write in hopes of getting published, I told myself that I needed to get used to writing on command and writing to a deadline. It's always way more fun to write when inspired, but since I write as a job, that's not always possible. I find that planning gives me the boost I need to get and stay motivated. I do my best to stick to a schedule, but it always depends on what else is going on in my life. If I'm having a really hard time focusing, it's usually because the creative well is dried up, so I give myself a few days off and refill it with tv shows, movies, and books.

JS: How do you select the names of your characters?

SH: I love naming characters. It is my FAVORITE part of the process. The right name is so important to me. It can change the whole vibe. I actually own a whole set of baby naming books that I've been collecting since I was a kid. Back then I used them to name Sims. I also use a website called nameberry.com. When it comes to selecting a name, it's really just about personality and making sure it fits the character. I tend to have a character first and then select the perfect name. I also have changed character's name during the writing process when things don't feel right.

JS: Did you edit anything major out of A Little Something Different?

SH: The biggest edit to A Little Something Different was changing the ages of the characters. In my original draft, they were about 2-3 years older. I had to do a lot of editing to get them in the age range for YA.

JS: What was the hardest scene to write in A Little Something Different?

SH: There's a party scene towards the end of the book that was hard. Gabe and Lea are arguing and I wanted to get the full effect of the fight, but since I couldn't move to either of their POVs I had to figure out a way to get close enough without it feeling like they were being spied on. It was like figuring out a puzzle.

JS: If you didn't write, what would your profession be?

SH: I have a Masters of Library Science and still work part-time as a reference librarian. So I would definitely be a librarian!

JS: What first inspired you to write your book from many perspectives? I loved the squirrel!

SH: I just really loved the idea of challenging myself to write a different kind of love story. When I thought about all of these people that might be watching a couple fall in love, it was just a matter of figuring out the POV characters.


An Interview With Lois Lowry

          Lois Lowry, the writer of The Giver Quartet, Number the Stars, and many other middle and high school grade novels published her first book in 1977.  Although she was born in Hawaii, she now lives in Massachusetts. The Giver was actually the first book I ever read for school and has always had a special place in my heart. The fourth book in the series, The Son has always been my favorite, mainly because of the main characters Gabriel and Claire. I was thrilled to get to speak with Lois Lowry, and I hope you enjoy it as much as I did!

JS: What was the first story you ever wrote? How old were you?

LL: Oh, gosh, I was writing stories starting when I was seven or so. I once wrote...and illustrated.... a whole book for my little brother (I was nine, he was 3) called SKEEZIX, THE MAGIC AIRPLANE. He is now 77 years old and he says he doesn't remember it. Boooooo! How can you not remember a GREAT BOOK written by your big sister?! 

JS: Do you ever have trouble being motivated to write? Do you stick to a schedule, or write when you are inspired?

LL: I am at my computer every day. I never have trouble being motivated. Writing is what I love most.

JS: How do you select the names of your characters?

LL: They just come to me, almost magically. And I very rarely change the name of a character after it has appeared in my imagination. The one time I did, was in the final book of The Giver Quartet: SON. The main character had appeared in my consciousness with the name Mary. Later I changed it to Claire, because I was afraid that scholars and critics would find religious significance in the name Mary.

JS: Did you edit anything major out of The Giver?

LL: No, I don't think so.

JS: What was the hardest scene to write in The Giver?

LL: It was difficult writing the final section of the book after Jonas has fled with the baby, because it was only the two of them, and the baby didn't talk. So it had to be almost entirely within the head of the boy, plus a description of the landscape. No interaction with other characters. The plot of a book almost always depends upon people's relationships with one another. So that section of the book was hard to write.

JS: If you didn't write, what would your profession be?

LL: Probably an editor. Something to do with books, for sure.


An Interview with Wendelin 

Van Draanen

          Wendelin Van Draanen's first book, How I Survived Being A Girl, was published in 1997. Since then, she has written many books, including The Sammy Keyes series, Flipped, and The Running Dream. The Running Dream, which follows Jessica as she must learn to live after a terrible accident, is one of my favorite books. I love the honesty exhibited by the characters, as well as the relationships between them. Here's what Ms. Van Draanen has to say about her 2011 book.

JS: What was the first book that ever made you cry?

WVD: It wasn't a good cry. It was an angry cry. Let's just say...Don't kill the dog, or the best friend, or the mom, or I will cry and be really mad at the author about it!

JS: What was the first story you ever wrote? How old were you?

WVD: I didn't start writing until I was "an adult" and I started with a 627-page novel. It was terrible, but also very therapeutic. (I killed off some bad guys...which is NOTHING like killing off the dog or the best friend or the mom, by the way.)

JS: Do you ever have trouble being motivated to write? Do you stick to a schedule, or write when you are inspired?

WVD: I love to write, but mostly that's because I love the characters who invade my head and I just want to spend time with them. My schedule is morning to night, writing, researching, revising, pondering... I'm a feverish sort of writer. I just have to get the story out. And then when it's done, other characters show up. I never seem to stop.

JS: How do you select the names of your characters?

WVD: Haha. For a lot of my books, I used my teacher grade book. Turns out that had hazards once I started being published. And then I started using my children's yearbooks. There are no good names in 10,001 Names for Baby, by the way. Not. One. Good. Name. But a yearbook? Full of them!

JS: Did you edit anything major out of The Running Dream?

WVD: Yes! I had two "additional endings" - sort of epilogues where you find out who the mystery patron is, and Jessica's first race back on the track. But it felt like "too many bows" and I do so love the book's last line. Adding is sometimes subtracting, which I think was the case with the two extra "endings".

JS: What was the hardest scene to write in The Running Dream?

WVD: Not a scene specifically, but the paragraphs involving the more technical aspects of amputation, rehabilitation, and prosthetic limbs were definitely a challenge. I had so much to learn and was very concerned about getting the medical and mechanical parts right.

JS: If you didn't write, what would your profession be?

WVD: I'd still be teaching high school! I did love my job, but being a full-time author is pretty awesome, too.


An Interview with Ruta Sepetys

          Ruta Sepeteys book, Between Shades of Grey, was one of the first books that made me cry hysterically. Its beautiful and poetic words touched every part of me. After Between Shades of Grey, I eagerly devoured Sepeteys' other books, including Salt to The Sea, Out of The Easy, and most recently The Fountain's of Silence. Heres what she had to say about her first book.

JS: What was the first book that ever made you cry?

RS: Charlotte's Web.

JS: What was the first story you ever wrote? How old were you?

RS: I actually wrote my first book in the third grade. It was called The Adventures of Betsy and it even had a table of contents and individual chapters!

JS: Do you ever have trouble being motivated to write? Do you stick to a schedule, or write when you are inspired?

RS: When I'm writing and I feel a bit "stuck" I leave my computer and take a walk or listen to music. Engaging another part of my brain for a few minutes seems to work the knots loose. Any form of exercise or physical activity also helps. Solitude is often my greatest inspiration. For me, a lot of creativity comes during the revision process. I prefer to use a large chunk of time to write, but that's not always possible. If I only have a short window every day I try to write early in the morning.

JS: How do you select the names of your characters?

RS: In terms of names, some I choose because they have familial significance (Jonas, Lina) and some I choose for rhythm. I look for a rhythm within a name that reflects the character's personality. And I always research names historically to make sure they were used during the time period I am writing about. 

JS: Did you edit anything major out of Between Shades of Gray?

RS: Yes, I had to remove a particular storyline about teachers who were deported. I was so sad to lose it, but it made the book a bit too long. 

JS: What was the hardest scene to write in Between Shades of Gray?

RS: The sad scene with Elena. (No spoilers) :)

JS: If you didn't write, what would your profession be?

RS: If I changed careers at this point in my life I would love to be a research librarian. 

An Interview with Chelsea Sedoti

          Recently, I reached out to about forty authors with a set of seven questions. I wasn't sure if I would receive ay responses, so I was thrilled when Chelsea Sedoti became the first writer to get back to me. Las Vegas native Chelsea Sedoti is the renowned author of As You Wish, The Hundred Lies of Lizzie Lovett, and most recently, It Came From The Sky. Her first book, As You Wish has always been one of my favorites, not only because of the character named Juniper! I was so thrilled to have gotten to speak with this incredible author, and I highly recommend checking out her books. Enjoy!

JS: What was the first book that ever made you cry?

CS: The first thing that popped into my mind is a book called Behind the Attic Wall. I was probably about ten when I read it and it broke my heart. Back then, I pretty much only read horror books, so I'm not sure why I picked up Behind the Attic Wall to start with. It's a very sad story about an orphan who gets sent to live with her two awful aunts (I think they were her aunts anyway, my memory is a little fuzzy) and ends up finding a secret spot in the attic with two ceramic dolls that... well, the dolls come to life and become the girl's family. It sounds silly, but it really wasn't! It was so sad that I still get a little tug in my heart when I think of it.

JS: What was the first story you ever wrote? How old were you?

CS: I wrote my first story when I was nine and it was because my teacher told me to, not because I chose to. It was about a haunted house and it was the least creative thing in the world. The story never even got finished, actually. But I still have it and I'll save it forever. Even though it's so, so bad that story is what made me fall in love with writing.

JS: Do you ever have trouble being motivated to write? Do you stick to a schedule, or write when you are inspired?

CS: Yes! I'm sure there's an author out there who manages to stay motivated all the time, but it's certainly not me. Especially lately, with so much anxiety over the pandemic, writing has been impossible. Even during the best circumstances, some days I wake up and forcing myself to write is really hard For me, it helps to keep a schedule. Also to sit down at the computer even if I'm not feeling inspired. Maybe I'll end up staring at a blank screen for hours and get nothing done. But sometimes just the act of trying gives my motivation a jump start and I'm able to have a good writing day after all.

JS: How do you select the names of your characters?

CS: I LOVE names. I'm always on the lookout for interesting ones (I actually have a document on my phone full of names that I overhear and want to use one day.) A lot of the time I think about my character's parents and choose a name based on them. For instance, in The Hundred Lies of Lizzie Lovett, the main character's mom is a hippie, so named her daughter Hawthorn. In As You Wish I took a different approach. I wanted to give the town of Madison a weird, otherworldly feel, but I thought using super fantastical names would be over-the-top. So I found a list of Victorian-era baby names and named all the characters from there.

JS: Did you edit anything major out of As You Wish?

CS: As You Wish went through several rounds of edits, but I don't think I removed any full scenes or altered the story too much. If anything, I remember making a lot of scenes longer as I revised!

JS: What was the hardest scene to write in As You Wish?

CS: The hardest scene to write in As You Wish was the final one. I'll try not to use spoilers but... let's just say, I originally intended for the main character to make a different choice at the end of the book. When I finally reached that point while writing, I realized I had been wrong. He needed to do the opposite of what I thought he was going to. And even though I felt like my new ending was the right one, there was still a part of me shouting at the character, "No, no, don't do what you're about to do!"

JS: If you didn't write, what would your profession be?

CS: This might seem odd, but aside from writing, my other dream job would be an FBI agent. In a perfect world, I'd be a real-life Fox Mulder, working for some top-secret division of the FBI solving paranormal crimes. But I'd be happy with non-paranormal work too!

Also- check out Chelsea Sedoti's awesome blog. I'm loving her entry's about her first read of Harry Potter.

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